Access · Demo

— Re:Agent · Demo —

Re:Agent.

This is the gated demo. Enter the shared password to explore the full prototype suite — and the story behind Re:Agent — with no account needed. New here? Head back to the site to sign up.

Welcome · Access Granted

— Re:Agent · June 2026 —

Re:Agent.

You're in. Start up top — the full dashboard, the band & crew view, or the promoter side — then scroll down and the story unfolds.

— Pick a view · then read on —

— Option A · Manager View

The full prototype. All the levers.

Eight working surfaces — calendar, routing, day sheet, offer sheet, task manager — everything wired together. The manager's cockpit.

— Option B · Band & Crew View

The simple version.

Calendar, day sheets, and tasks. That's it. No spreadsheets, no finances, no buttons you shouldn't press. Just what you need to show up on time.

— Pick a view above —

↓ Keep scrolling

But first, the story.

Six chapters · ~4 min · why this exists & where it's going

01Why this exists 02Who's building it 03The product 04How it grows 05Pricing 06The roadmap

— 01 · Why this exists

The work is real. The tools aren't.

If you've ever run a show out of a group chat, a notes app, and three spreadsheets, you already know the problem. This is the fix.

01

Everyone booking their own shows deserves real tools.

Roughly 80,000 independent bands tour North America. Fewer than 4,000 have an agency. The other 76,000 run their shows out of group chats, Gmail, and a folder of PDFs nobody opens — and so do the newer agents building a roster from scratch.

Every show takes the same handful of chores — find the contact, send the offer, hold the date, advance the room, write the day sheet, settle up at the end of the night. People are doing professional work on tools that were never built for it.

And it costs real money. A lost deposit here, a wrong address there, a host who backs out and nobody kept a backup, a venue you drove to that closed eighteen months ago because the spreadsheet didn't know. None of those tools talk to each other, so every tour the same details get re-typed and the same things fall through. Re:Agent is the one place that holds all of it — and it's the tool those workarounds were always trying to be.

— Built for

76K+

independent bands with no agency

— In one place

1 desk

shows, day sheets, offers & tasks

— To start

$0

free for the whole public alpha

— The whole idea, in one line

People are running a professional workflow on consumer software. That gap is the company.

— 02 · Who's building it

Built from the floor.

Not a pitch from the outside looking in. A working draft from someone still inside the problem.

02

One person who's stood on every side of the same show.

Most music software is made by people who've never settled a show or watched a promoter no-show on a guarantee. Re:Agent isn't. It's built by someone who has worked all of these roles — and still does.

Cam GrabowskiCentral Valley · CABooking · buying · promoting · touring

— The agent

Independent booking

Works the agency side day to day — how rosters get signed, how routing decisions get made, and exactly where the commission model stops making sense for a smaller band.

— The buyer & the promoter

Casino talent buyer · DIY promoter

Sees the other end of the email, too — reviewing offers from a venue's chair, and booking local DIY shows where the holds get dropped and the settlement takes three weeks. That's why the offer sheet and the calendar look the way they do.

— The artist

Touring & self-booked bands

Still on the road. Every feature gets one test before it ships: would this make the next tour easier? If the answer's no, it doesn't go in.

Anyone can copy the software in six months.
Nobody can copy three years of honest reviews from people who don't trust software.

— The whole bet, in two sentences —

That's the part that compounds. The real moat isn't the features — it's the reputation data the scene builds by using the product: which venues actually pay, which promoters cancel three weeks out, which rooms are worth the drive. Mutual, honest, and impossible to fake overnight.

— 03 · The product

What you can use today.
And what's next.

Re:Agent ships in pieces. Each one has to stand on its own before the next one lands. Here's the order.

— Live now

The Workbench.

Public alpha · free

A free working desk for booking and running a single show, start to finish. This is what's live today.

Make an account, add a date, and that show holds everything about the night in one place — the venue, the contact, the money, the day sheet, and the to-do list. No app-switching, no wondering which copy of the spreadsheet is current.

Shows — hold it, confirm it, mark it played
Day sheets — load-in to doors, clean and shareable
Offers — guarantees and splits you can trace
Tasks — checklists that follow the date, not your memory

— Next

Log a Tour.

The TM · $15 / mo

When single shows turn into a routed run, keep the whole leg together.

Route multiple dates as one tour, with day sheets and tasks that span the run and a single view of the whole thing. The first paid step — and still nowhere near what a commission would cost.

— Later

Auto-Routing.

The Agent · $30 / mo

Hand it five inputs — dates, home city, region, target fee, your scene — and get a routed tour back.

Drive-time-aware dates, size-appropriate venues, offers pre-filled and holds ready to fire. The work that used to take three months of evenings becomes the work of an afternoon. It ships once the venue map and the reputation data are dense enough to make it real — not a day before, because a routing tool on thin data looks great in a demo and plays wrong on the road.

— In development

Re:Agent Beta.

Preview behind this gate

Managers, bands, crew, and promoters working off one source of truth.

The multi-seat prototype you just unlocked up top — the full dashboard, the simpler band & crew view, and the promoter deal tracker. It's in active development; what's behind the gate is the preview. Click around and you'll see where this is headed.

— 04 · How it grows

The map fills itself.

A two-sided tool dies when one side is empty. Re:Agent is built so the venue side is already there before the first band shows up.

04

Promoters never fill out a signup form.

Every venue already has a public footprint — a site, socials, event listings, a city's DIY list on Reddit. The data's out there; what's missing is structure. We aggregate it, bands enrich it by using it, and promoters claim their room when the demand is already waiting for them.

RE:AGENT · GROWTH PIPELINE · V0.1

04 STAGES · BAND-LED

Stage 01

Aggregate.

Pull public venue data, geocode it, clean it up. The map is dense from day one — before anyone signs up.

Stage 02

Enrich.

Every show settled on the platform leaves structured feedback. The venue's record gets better with each advance, no promoter action needed.

Stage 03

Notify.

Once a room has real reviews and inbound offers, one email goes out: "Bands are booking your room through Re:Agent — want to claim it?"

Stage 04

Convert.

The promoter claims the profile, free, and finds an inbox already full of offers. The paid tier earns itself from there.

— Why it works

The promoter never gets a sales email from us. They get an email from the bands trying to book their room. We just made it easy to say yes.

— 05 · Pricing

Subscription. Never a percentage.

Booking runs on commission. We don't. You pay a flat price for what you use — that's the whole model.

05

Pay for the capability, never the size of the guarantee.

A 10% agent costs more, the bigger you get — double your guarantees and you double the cut, even though the work didn't change. Re:Agent never takes a piece of your door, your merch, your deposit, or your guarantee. You pick a plan that fits how many bands and tours you actually run, and the price stops there. Not a percentage of anything, ever.

— Live now

The Workbench

$0 / mo

For booking your own shows. Free forever.

You are here

Up to 2 bands on one account
Single shows, day sheets & offers
Task checklists & band chat
90 days of show history

— Next

The TM

$15 / mo

Tour Manager — your acts, on the road.

Up to 5 bands
Unlimited tours + full archive
Tour-wide day sheets & tasks
Set times, setlists & PDF export
Mutual band ↔ promoter reviews

— Later

The Agent

$30 / mo

For booking a whole roster.

Up to 50 bands
20+ tours running at once
Auto-routing & drive-time holds
Promoter CRM & offer pipeline
Pre-filled offers & one-click advances

— On request

The Agency

Let's talk

For booking shops & labels.

Unlimited bands & tours
Team seats & a shared roster
White-label EPKs & day sheets
Priority routing & support
Custom contracts & reporting

— Right now, in alpha

Every plan above is free and wide open during the public alpha — the band and tour limits are where this is headed, not what you're charged today. No card, no per-seat games. The paid tiers turn on when the Beta does.

— 06 · The roadmap

One step at a time, in order.

Each piece earns the next. We get single shows right before we touch tours, and we earn auto-routing by getting the data deep enough to trust.

— Now

Public alpha

2026 · FREE & LIVE

LiveThe Workbench — free single-show management, open to everyone.

PreviewThe multi-seat Beta prototype — full dashboard, band & crew, and promoter views — in active development behind this gate.

— Next

From a show to a tour

TARGET · THE TM · $15/MO

ShipsLog a Tour — route multiple dates together, with tour-wide day sheets and tasks.

BeginsMutual reviews between bands and promoters — the start of the reputation layer.

— Then

The Beta opens up

TARGET · THE AGENT · $30/MO

ShipsAuto-routing — once the venue map and reviews are dense enough to make a routed tour play the way it looks.

OpensManagers, bands, crew & promoters on one source of truth — the Beta out from behind the gate.

— Later

Beyond DIY

VISION · FLAT-FEE, NEVER %

ExploreA flat-fee booking option for bands that have grown past doing it themselves — staffed by people using the same tools, paid a flat fee, never a percentage.

MeasureIf the scene ever tells us this is making things worse, we stop. The community decides whether we've earned the right to exist.

— You've got the keys

Go touch it.

You just unlocked the Beta preview — it's right up top. Click around, break things, see what it feels like. Then start with the free Workbench and get your shows in.

↑ Back to the prototype views Open the Workbench — free →

Always bet on yourself.
Because "no's" are free.

— ★ —